Ignored By Dinosaurs 🦕

life

I might as well ditch this blog. I have no idea where to start another post. Is this a technology blog? Is this a blog about life as a musician? Is this still my rallying cry against the music industry? So much has gone on the last month/year/decade I don't even know where to begin.

I've joined a band. I didn't think I'd be doing that ever again. I actually thought my career as a professional player was over. I thought I'd seen the top of the mountain and that was that and it was time to move on into the next phase of my life, whatever that would be. I sort of had to jump out of the last phase of my life so quickly and so definitely that I didn't have nearly the prep time I'd have liked to have had for that kind of thing. The result? Last year was one of the roughest of my entire life. The roughest.

Then last year's November surprise ended up being another bass player in a band that I fit into pretty neatly.

So here I am, back from the musical dead. I just had the most righteously good time in Big Sky MT at a bluegrass festival called Big Grass, and I'll tell you what feels the best of all – feeling like part of a musical community. It's no secret that I'm a born-again Stringdusters fan, so I was actually nervous when half of them were standing stageside while we were getting out set going last night. It was more an acute awareness that people were there and were listening, which is how nervousness tastes to me. But then we got some of them up, and a few more of them up, and a KILLER time was had by all.

Afterward we went back to the main lodge where everyone was staying and there was a giant picking session going on in front of the giant fireplace until about 4:15 or so when it broke up to take care of other duties. Right about then Vince and Chad and the rest of Great American Taxi showed up. It was just so cool to me, because the last time I saw those dudes was my last gig in CO with RRE. It's cool to be in a band where I already know everybody, so I can relax about all that. It's cool to be in a band where we take days off to go skiing with the lift passes that are thrown in with the gig. It's cool to be in a band where load-in and setup takes all of 15 minutes and there are only a dozen inputs to check. It's cool to already be up toward the top of the bill at a bunch of the festivals for which we're booked this summer. It's cool to play bluegrass.

#life #bluegrass

I suppose there's a few ways a post with this title could go. I'm flying back from my first run with the new band, and there were a few themes bouncing around the last couple weeks. This band is a lot lower overhead. There's no bus call. There's no soundguy (although I personally hope that's remedied this year). Load in and setup take about 15 minutes. Billy and Drew managed to work out lift passes for us to all get out on the mountain 3 times in the last two weeks. I grew up skiing a lot in the Rockies with my folks, but had basically taken a 13 year hiatus. The last time I'd been on a mountain was about 5 years ago on the Honkytonk/Railroad tour in 2006, so I had forgotten how much I love skiing until about 100 yards into our first run at Jackson Hole (an amazing mountain).

I miss my family quite a lot. We'd all gotten used to my being home and a cell phone is a poor substitute for a hug. I can already see where that's going to be a problem again, but I'm hoping that this gig remains a nice, steady, part-time thing because I really like the music. The guys are very nice guys and I'm meeting all manner of the CO scene. I'm already collecting some funny stories about the things you'd expect there'd be funny stories about and yes, the RRE thing bestows a lot of street cred out there.

It feels so good to have a bass in my hands. I'm really thankful.

#life

Just a week before the FCC holds a vote on whether to apply fairness rules to some of the nation's internet service providers, two companies that sell their services to the country's largest cellular companies showed off a different vision of the future: one where you'll have to pay extra to watch YouTube or use Facebook.

~From a Wired article earlier this week. READ IT

Now here's why this matters...

It's not about Facebook or YouTube. Those seem on the surface like silly trifles and why shouldn't we have to pay more for silly trifles, right? Because those silly, time-sucking trifles represent present-day American innovation. Our physical manufacturing sector has been almost completely moved offshore. This was done over a period of a couple of decades between Reagan and Bush II and was done for the sole reason of increasing corporate profits. If it's cheaper to manufacture stuff somewhere they don't have a minimum wage, and the prices here stay the same, the company makes more money for it's shareholders. This seems like a good thing, unless you're looking further than one fiscal quarter ahead.

Now we have a situation where large Telecommunications companies have found a giant, largely unregulated loophole in the fastest growing sector of their business. They'd like for their share of the wireless spectrum to remain largely unregulated so that they can carve it up how they want and charge for it what they want. Seems fair, right? But remember this is our fucking AIR they're charging us to access. They rightly realize that they majority of future internet use is going to take place over the airwaves, so best to get that sucker divvied up now and get the “best practices” in place for making as much money as they possibly can going forward. (Makes me think of this article from the Onion.)

Best practices would include making damn sure they charge more money for popular web services once their customers come to depend on them. I depend on Facebook to keep me in touch with most of the people I know on this planet. It's surpassed “social network” status and become a utility.

This utility and others like it have become the center of American innovation, and the brightest hope for the future American economy. Perhaps we won't be able to manufacture our way out of a recession, but maybe we can innovate ourselves out.


But Chile is trying a radical new experiment. ... It is importing entrepreneurs from all over the world, by offering them $40,000 to bootstrap in Chile. They get a visa; free office space; assistance with networking, mentoring, fundraising, and connecting to potential customers and partners. All the entrepreneurs have to do, in return, is commit to working hard and live in one of the most beautiful places on this planet.

~From a Techcrunch article a few days ago.

Here's why you should be worried about Net Neutrality.

If you think for a second that America's place in this world as the center of creative innovation and hard working people making something from nothing is granted by the grace of God, you might be right. But Verizon and the FCC may just make it impossible for even the will of God to overcome the long-term economic effects of giving these TelCom idiots what they want. What they want is to milk as much money out of you and I as they possibly can, and they plan to do this by charging more for “better, faster” access to large internet companies that can supposedly afford it (while totally ignorant to the fact that the oldest and largest of any of these companies is barely 10 years old).

Where does this lead?

  1. If the biggest internet companies pay more for their content to be delivered faster, then smaller companies and startups will have to use the “plain old” internet, which is what the entire internet is today.
  2. If big TelCom gets a pass to charge for faster access over a premium network, they most certainly won't have any incentive whatsoever to improve the “plain old” network.
  3. If countries like Chile are not just begging but paying smart entrepreneurial types to move to their country and start businesses, they most certainly will.
  4. Oh yeah, vastly higher bills for all of us.

Ergo, if technological innovation and brainpower have been this country's advantage over the rest of the world and you deliberately cripple technological innovation in the name of a few years of higher corporate profits, you can rest assured that the brainpower will flee this country to some place where it's more highly valued.


I'll leave you with a few words from Steve Wozniak, co-founder of Apple.

I was brought up being told that one of the main purposes of our government is to help people who need help. When I was very young, this made me prouder than anything else of my government. [...] We have very few government agencies that the populace views as looking out for them, the people. The FCC is one of these agencies that is still wearing a white hat. Not only is current action on Net Neutrality one of the most important times ever for the FCC, it's probably the most momentous and watched action of any government agency in memorable times in terms of setting our perception of whether the government represents the wealthy powers or the average citizen, of whether the government is good or is bad. This decision is important far beyond the domain of the FCC itself.

#life #business

Well, here we are. It was a tortuous migration, but IgnoredByDinosaurs (the blog) has reached version 5. I think it's version 5, let's see there was Blogger, then WP, then Drupal, then back to WP, then back to Drupal, and now this bad boy, so I guess you would call this one 6.0.

This blog is now run by a system called Jekyll, a “site generator” that's written in Ruby. What it does is take a bunch of text posts and runs them through a couple of different templates and spits out a full site of static HTML, since that's mostly what a blog is anyway. It's a compiler for your website. No webforms, no databases, no security updates. Just plain old HTML, like back in the good old days, but less hassle and more fun! I would have stayed with Drupal but honestly, it was just way too slow. This being just HMTL, without 119 database tables being joined by 200 different queries to display a blog post will be about a thousand times faster (literally).

So anyway...

Bass influences

I've been reading Kyle Hollingsworth's recent blog posts with great interest. It's always fun to see if who you think was an influence was truly such, but nobody ever posts these kinds of lists about themselves. Now that I'm on the verge of no longer being a defunct bassist, but rather a funct bassist, I thought I take a look back and see if I could boil it down to five bassists who pretty much wrote my play book.

Long story short, I can't. There's a few non-bassists who have given me more ideas than many of the bassists I've grown up with. So here goes.

#5 Cliff Burton

I know, it's pretty fashionable to say Cliff instead of Jason, especially in light of the fact that it was Jason who actually inspired me to start playing the bass in the first place. After years and years of begging my folks to let me be Lars and buy me a drum set, and years and years of begging the band director to let me be Lars and play percussion instead of trombone, I finally gave up. I guess I figured the bass line on “The God That Failed” was pretty cool too, and strangely my folks were immediately agreeable to a bass in the house. So I sat in the basement and played along with every early 90's grunge and metal record that I had.

However, it wasn't until a lot later that I realized the depth of the influence that I had absorbed many years before I even began playing. “...And Justice For All” was the first tape I ever bought and the first CD I ever bought a few years after that. It was literally almost all I listened to for a four year period between 5th and 8th grade. I didn't know anything about music or it's place in my future life, but in hindsight I learned everything I ever needed to know about harmony from that record. Most of it was written either by Cliff when he was alive or in his memory shortly after his death and his highly educated, dramatic, baroque influence is all over it. “To Live is To Die”, “The Frayed Ends of Sanity”, and “Eye of the Beholder” are all masterpieces. When the black album came out and there was neither a double bass drum nor a multi-movement epic to be found on it anywhere, somewhere in my 8th grade brain I was deeply let down. It wasn't Cliff's bass style that sunk in so much as the style of composition.

It's so nice to write. Thanks for reading.

#music #life

Well, it has been quite some time, hasn't it? So much has changed! So much is still the same! Where to begin? I've once again written this post in my head so many times that I don't know where to start. How about the first thing that jumps to mind?

Okay, the first thing that jumps to mind is that I just found a card in my backpack yesterday. It was given to me on new years in Portland, the night of my last show with RRE. I don't remember who gave it to me, which was probably their plan (or maybe I was just so out of it that I really don't remember). Anyway, later that night I was sitting in Mark-a-rita's hotel room and realized that I'd been carrying this card around in my pocket all night and maybe I should open it and see what it was. It was from everyone in the room, which was basically a great number of my really close friends from the RRE experience. As soon as I a saw all the signatures on it and a couple of the things that people had written I shoved it back in the envelope. I heard somebody behind me say “Oh, did he just open it?”

I couldn't read it then because I was totally overwhelmed. From the time that I announced that I was leaving the band to that night at the Aladdin I was completely flooded with so much emotion from so many people with whom I'd shared most of my adult life that I myself was emotionally paralyzed. It was amazing, and amazingly difficult. Most Sundays after gig weekends during that period I would spend at least a little while crying and not knowing why. I was leaving of my own free will and for reasons that were plenty good enough for me. What was this all about?

By the time I got to Portland I couldn't take it anymore. I'd had enough of people being so nice to me. I didn't deserve it. People gave me cards with hundreds of signatures on them telling me that I'd be missed. Someone organized a can drive in my name at our Thanksgiving show, for Pete's sake. What did I do? I just played the bass! I'd have been doing it anyway, hopefully, and instead I got to make friends and play shows and get good at the bass and be a rockstar for years. I didn't deserve this outpouring.

So, to anyone reading this who was around in that period, this one's for you.

I know I'll see some of you again, but I'll never see all of you again. My life has been a blessing, a dream. When I can transcend my neurosis and the chaos of my life currently for a few brief moments and really just take a breath, I feel so profoundly grateful for being a part of it. You and I made it together, and it was so. much. FUN! I kind of get it now, some of what there was to be sad about. Change is usually a wonderful thing, a necessary thing, but in a sense I feel like I've quit my family. Like I've spit in the face of the thing that we built. For that I'm both sorry and thankful for having had the experience in the first place.

I guess that'll do for now. Hopefully this gets the writer's clog out. I love you guys.

#life

I just realized this weekend that I missed something in Friday's post. * Nershi's announcement. * Ben's announcement. * Zac Matthew's announcement. * And mine.

So, if you haven't already, take a look at the dates, and allow me to prepare a meditation on why November seems to be such a drag for touring bands...

Surprise! I'm a cliche! All of these announcements were dated sometime in November – Billy in '06, Ben in '07, Zac in '08, and myself in '09. I already asked, what is it about November that makes one of us flip out and quit our band each year? Well, obviously, all of these bands are summertime festival circuit bands. That was RRE's bread and butter, sort of like the hippy band equivalent of Black Friday. Remaining closed on Black Friday is not an option for most retail businesses, just as not hitting the road each summer is not an option for a band that also wishes to remain a viable business. So, how does that end up laying out your touring year? We'll start in the spring...

Spring tour is great. People have been bottled up all winter and are ready to party. You've had all winter to get creative (or not) and hopefully have a boatload of new tunes ready for your crowd. These are all club dates since festival season hasn't begun yet, and usually they are packed with a fired up crowd. You deliver. Your job is the best one on earth. March, April, May.

Festival Season! It usually starts some time in April for most of us, though if you're lucky enough to be on the Judy's fav list you might get to start early at SpringFest. The majority of your summer is spent doing what's called “routing”, which means getting from good gig to good gig. Hopefully, those good gigs are every weekend and Tuesday night is paying for the gas between Fridays, but if not, and your next gig is on an opposite coast, then you might be playing some of the dreaded “routing dates”. These are the gigs in Winters, CA on the Wednesday before High Sierra Music Festival, or the Bottleneck in Lawrence, KS before or after Wakarusa. They're rough, not only because you get yanked from festival land back to club reality, but because the vast majority of the live band audience isn't really interested in going to the Bottleneck in the middle of summer. Club owners don't have the option of shutting their club for the whole summer, and some scenes probably do a really good business in clubs in the summer, but ours ain't one of them. File under : necessary evil. It's cool, though. On weekends you're a rockstar.

Now it's fall. You've already been on the road for half the year. September might throw you a festival bone or two, but mostly it's back to the clubs. The edge has come off of what were fresh tunes and a fired up crowd. It's time to start laying out plans for the winter. You need to write a new record, but you also need to keep the business going, so it's a constant push and pull. Oh, you're on the road while you're deciding all of this so usually you're too tired to really be able to puzzle out the correct combination of dates that will keep the business far enough above water to enable you to do what you really want to do, and that's be home with your family and write some new music. Your crowd will be there, and they will be expecting you to prove your otherworldly talent by delivering them fresh new tunes, preferably originals but whatever they want at the time will be fine. Do not disappoint, my friends.

So you walk the line, and don't line up a winters full of shows so that you can get creative. The problem? You've been on the road for so long by this point in the year that you don't remember how to write music. Better line up some shows for February, since payroll is running out...

Wash, rinse, repeat for at least 7 years and what you have is a subconscious dread of winter.

#life

I just finished “Zen and the Art of Motorcycle Maintenance” in the ATL airport yesterday. I tried to read it in college and failed miserably – it was just way too wordy and too deep for 20 year old me. For some reason about a month and a half ago I picked it back up and gave it another try, shortly before I started coming to grips with the fact that my spell in RRE is drawing to a close. It's basically the tale of a man and his son on a road trip. The man has battled mental illness in the past, the memories which were erased by shock therapy. The book is partly the tale of his putting his past back together again via a philosophical exploration while riding on a motorcycle (obviously) from Minnesota to San Francisco.

I got a lot out of this book this time. Whether it's the station I'm at at this point in my life, whether it's the fact that I have Noah now, whether it's the fact that I'm just older now, I didn't have much trouble with the sections that gave me trouble 11 years ago. On the contrary, there were several sections that could've been written about me. There is one in particular where the narrator is recounting a portion of his past where he taught Rhetoric at the University of Montana in Missoula. One semester he decides to conduct an experiment – to do away with grades for the whole semester. The students will receive a grade at the end of the course, and not before. The section that made the hair on the back of my neck stand up is toward the beginning of his recount of the experiment, when he's stating his hypothesis. I'll quote it, rather than summarize. Pardon the length.

Phaedrus' argument for the abolition of the degree and grading system produced a nonplussed or negative reaction in all but a few students at first, since it seemed, on first judgment, to destroy the whole University system. One student laid it wide open when she said with complete candor, “Of course you can't eliminate the degree and grading system. After all, that's what we're here for.”

She spoke the complete truth. The idea that the majority of students attend a university for an education independent of the degree and grades is a little hypocrisy everyone is happier not to expose. Occasionally some students do arrive for an education but rote and the mechanical nature of the institution soon converts them to a less idealistic attitude.

The demonstrator was an argument that elimination of grades and degrees would destroy this hypocrisy. Rather than deal with generalities it dealt with the specific career of an imaginary student who more or less typified what was found in the classroom, a student completely conditioned to work for a grade rather than the knowledge the grade was supposed to represent.

Such a student, the demonstrator hypothesized, would go to his first class, get his assignment and probably do it out of habit. He might go to his second and third as well. But eventually the novelty of the course would wear off and, because his academic life was not his only life, the pressure of other obligations or desires would create circumstances in where he just would not be able to get an assignment in.

Since there was no degree or grading system he would incur no penalty for this. Subsequent lectures which presumed he'd completed the assignment might be a little more difficult to understand, however, and this difficulty, in turn, might weaken his interest to a point where the next assignment, which he would find quite hard, would also be dropped. Again no penalty.

In time his weaker and weaker understanding of what the lectures were about would make it more and more difficult for him to pay attention in class. Eventually he would see that he wasn't learning much; and facing the continual pressure of outside obligations, he would stop studying, feel guilty about this and stop attending class. Again, no penalty would be attached.

But what had happened? The student, with no hard feelings on anybody's part, would have flunked himself out. Good! This is what should have happened. He wasn't there for a real education in the first place and he had no real business there at all. A large amount of money and effort had been saved and there would be no stigma of failure and ruin to haunt him the rest of his life. No bridges had been burned.

The student's biggest problem was a slave mentality which had been built into him by years of carrot-and-whip grading, a mule mentality which said, “If you won't whip me, I won't work.” He didn't get whipped. He didn't work. And the cart of civilization, which he supposedly was being trained to pull, was just going to have to creak along a little slower without him.

This is a tragedy, however, only if you presume that the cart of civilization, “the system,” is pulled by mules. This is a common, vocational, “location” point of view, but it's not the Church attitude. [not the church of the religious type, but I don't have time to explain all that here -jg].

The Church attitude is that civilization, or “the system” or “society” or whatever you want to call it, is best served not by mules but by free men. The purpose of abolishing grades and degrees is not to punish mules or get rid of them but to provide an environment in which that mule can turn into a free man.

The hypothetical student, still a mule, would drift around for a while. He would get another kind of education quite as valuable as the one he'd abandoned, in what used to be called the “school of hard knocks.” Instead of wasting money and time as a high-status mule, he would now have to get a job as a low-status mule, maybe as a mechanic. Actually his real status would go up. He would be making a contribution for a change. Maybe that's what he would do for the rest of his life. Maybe he'd found his level. But don't count on it.

In time – six months; five years, perhaps – a change could easily begin to take place. He would become less and less satisfied with a kind of dumb, day-to-day shop-work. His creative intelligence, stifled by too much theory and too many grades in college, would now become reawakened by the boredom of the shop. Thousands of hours of frustrating mechanical problems would have made him more interested in machine design. He would like to design machinery himself. He'd think he could do a better job. He would try modifying a few engines, meet with success, look for more success, but feel blocked because he didn't have the theoretical information. He would discover that when before he felt stupid because of his lack of interest in theoretical information, he'd now find a brand of theoretical information which he'd have a lot of respect for, namely, mechanical engineering.

So he would come back to our degreeless and gradeless school, but with a difference. He'd no longer be a grade-motivated person. He'd be a knowledge motivated person. He would need no external pushing to learn. His push would come from inside. He'd be a free man. He wouldn't need a lot of discipline to shape him up. In fact, if the instructors assigned him were slacking on the job he would be likely to shape them up by asking rude questions. He'd be there to learn something, would be paying to learn something and they'd better come up with it.

Motivation of this sort, once it catches hold, is a ferocious force, and in the gradeless, degreeless institution where our student would find himself, he wouldn't stop with rote engineering information. Physics and mathematics would come within his sphere of interest because he'd see he needed them. Metallurgy and electrical engineering would come up for attention. And, in the process of intellectual maturing that these abstract studies gave him, he would be likely to branch out into other theoretical areas that weren't directly related to machines but had become part of a larger goal. This larger goal wouldn't be the imitation of an education in Universities today, glossed over and concealed by grades and degrees that gave the appearance of something happening when, in fact, almost nothing is going on. It would be the real thing.

The hair on my neck is still standing up. I did poorly in school. Don't know why, but I just hated it. I and my parents were routinely told by teachers what potential I had that was going to waste. It was humiliating. My overarching, impressionistic memory of my academic career is that of a humiliated mule. As I mentioned in my very first blog post, I was kicked out of the band in 10th grade for not getting with the program. And now I've been a professional musician for the last 12 years, virtually since I left high school. I don't blame anyone for my stubborn refusal to do the rote bullshit work we were all assigned, but something was clearly not right. I was a kid, for crying out loud.

Anyway, the great thing about college was that it enabled me to shed a lot of the self-esteem issues that I graduated high-school with. It also more fully introduced me to a very deep and powerful talent that had always been there, waiting to be discovered and nutured. Music. Music has made me what I am. But at the same time, I can't help but feel that I've been a mechanic for the last seven years. That my real education, my real work, my real purpose begins now.

#life

Lots of personal posts to come these next few weeks, I expect. I wanted to take this opportunity during setbreak in Woodstock to set down a few things that I was thinking about during the first set.

I've gotten a few cautionary letters from concerned onlookers of my situation, most of them warning me of the pitfalls of this decision that I've made. First, I want to let you know that I've been making the internal preparations for this move for well over a year. It was about that long ago that the force inside me that's guided me very reliably through my first 31 years here on earth began to lead me to this public announcement of my decision.

Second, I want you to know that I've never ignored that force. That force told me to print up business cards the week before I met John Skehan for the first time. Third, I have no idea what I'd do without that force. I might have had some crappy job that I hated for the last seven years instead of touring the world with a fantastic band. Fourth, trading this interesting, creative job down for some cubicle job programming VB is not what I have in mind (no offense to VB). I have a very specific, interesting, creative idea that I've been working on that I'm gonna have a whack at, but it's a long shot. I have some other interesting, creative options on the table, and I feel hopeful that one of them will pan out. Fifth, and this is probably going to be the most difficult for some of you to believe, but the worst case scenario – unemployment, bankruptcy, foreclosure – still makes me feel more optimistic about the future than the prospect of ignoring that force.

That's all. Gotta finish a show.

#life

Well, campers, the day has come. Regular readers of this blog might be a little less surprised about this particular piece of news, but I'm pretty surprised to be writing it. I've been writing it in my head for a few weeks now, but now that I'm sitting here, I don't really know how to put it.

I joined this band at the age of 24 to accomplish a few objectives. I was barely a year out of college and was already tired of washing dishes and rolling burritos for a living, so I prayed for a gig. I met John Skehan within a week, and the rest is history. What I wanted then was to get out of the kitchen and play professionally (with my college educated hands), to travel, and to learn about the music business. Check, check, and check. I never intended to be a touring musician for the rest of my life, and have proceeded to plan my life with my wife and our son and our dogs accordingly. We played Red Rocks a couple of months ago. Icing on the cake.

About a year and a half ago (as regular readers know), the flame of my creativity began lighting a different path than the one that I was on with RRE. I'd always been pretty good with computers. I only recently realized that the main reason that I like recording and production so much was mainly because it involves using and being good with computers. It took an iPhone to spark the idea that I should take matters into my own hands and start learning how to program myself. So, for the last 18 months, that's what I've been doing. I'm not quite to the point that I'm ready to make a living with it, but God has taken care of me and me family so far, so I have to place my trust in him now.

I had a medium-range plan that had me exiting RRE at the end of next year – 2010 – and dovetailing my present and future careers together the best I could in the meantime. Then a record deal came along. I'm a lawyer's son, so when it became apparent that this deal was probably going to actually happen, it kinda screwed up my plan. I couldn't sign a piece of paper committing myself to RRE and touring for the next 3 or 4 years when I knew good and well that I didn't have it in me. That's when I knew I had to tell my bandmates what was going on with me. Needless to say, they were probably a little surprised themselves. I gave them until the end of next May, but they've rightly decided that since a new record needs to be written, and we won't be on the road while that's happening, it's probably best to just go ahead and call it.

I'm not sure what the future holds, but I've got a few ideas. I know how much RRE means to many of you, and many of you probably think I've gone off my rocker reading this, but I have to ask you to trust me. RRE has meant a lot to me, too. I'm lucky to be able to say goodbye to a few of my favorite cities in America – Denver, San Francisco, and Portland – before hanging up my cables after the New Year. RRE is an unbelievably good band, and I have no doubt that they'll pick a worthy successor for me. At the very least they won't have to talk some kid into sleeping on hotel floors for weeks on end anymore.

To my bandmates I want to extend my deepest thanks for the opportunity to do exactly what I always dreamed of doing for the last 7 years, and to play the best music I'll probably ever play. To Mikey and J Ro and Phil and Stacy and Alex and especially Gayle I want to say thanks for working way harder than I ever did to make sure that RRE not only had people at the show but that they were lavished in the most inviting atmosphere possible, even at the Nick in Birmingham. To Brian I want to say thanks for talking me into such a ridiculous situation in the first place and for everything that you've done for RRE. And lastly to all the strangers who have become fans who have become friends, I will miss the hell out of y'all, but I won't be too hard to find either. I have an entire industry to try and save now, for the benefit of musicians and music lovers alike, and I'll need all the help and support I can get.

Thanks for the ride, and I'll leave you with a little Gillian Welch...

EDIT : I'm going to be checking in here frequently over the next several weeks as this process unfolds. I had a thought during last night's show that it'd probably be very helpful to me and informative for you if I use this blog as a tool to try and explain to you just what I'm so fired up about that I'd quit a fantastic band to go do it. Please stop back by. Later...

#life

It wears you out. All the stories about how road eventually grinds good musicians into dust may be partially true. I'd suspect that it has more to do with drugs and alcohol on the road grinding musicians into dust. I don't have that problem, so mainly it just wears me out.

Exhaustion is a state that usually lends itself to some good playing, at least for me. Last night I was so tired I think my brain went into some kind of alpha dream state during the second set. That's when I do my best thinking when I have the energy, but not last night. Just laying down with the roots...

#life