Ignored By Dinosaurs 🦕

I had so much fun last night that I'm writing about it before I've even had a cup of coffee.

The first rule of Geek Club is:

Don't talk about Geek Club. Actually this first rule is my own, and I'm breaking it immediately, except that I shall not refer to Geek Club by it's true name. It took me many months of searching to find it, and I don't want to spoil the sense of victory for you, should you be inclined to sniff out your own local chapter.

The second rule of Geek Club is:

Be prepared to practice your pitch. That's what pretty much everybody is here for, and some of them may even try to poke holes in your idea. Sooo much fun...

The third rule of Geek Club is:

There are no NDAs. Presumably, everybody here has an idea that they're working on, so they don't really have time to steal your idea. That and the ideas and interests and fields that people are working in and on are sooo widely varied. I met a dude working on a project involving credit cards, a dude working on a project involving medical testing, a dude who cofounded a startup called SeatGeek, and a dude who wants to help you find fresh local food in NYC. Yes, Geek Club is a primarily, though not exclusively, male environment.

The fourth rule of Geek Club is:

Tolkien references are okay. I had this image flash in my head toward the end of the meeting of storming the gates of some castle, that castle presumably being the tech scene that I'm busting into now. So you know that scene at the end of The Two Towers where the humans are holed up in Helms Deep with the orc hoard at the gates? As my brain was almost to sleep, I figured that actually, that fortress is the music business of old, and that mongrel hoard is me and my musician buddies. And this idea that I'm working on is the big scary orc with the bomb that blows the joint to hell. And the mongrel hoard is going to win this time, come hell or high water.

SO EXCITED!

I just finished “Zen and the Art of Motorcycle Maintenance” in the ATL airport yesterday. I tried to read it in college and failed miserably – it was just way too wordy and too deep for 20 year old me. For some reason about a month and a half ago I picked it back up and gave it another try, shortly before I started coming to grips with the fact that my spell in RRE is drawing to a close. It's basically the tale of a man and his son on a road trip. The man has battled mental illness in the past, the memories which were erased by shock therapy. The book is partly the tale of his putting his past back together again via a philosophical exploration while riding on a motorcycle (obviously) from Minnesota to San Francisco.

I got a lot out of this book this time. Whether it's the station I'm at at this point in my life, whether it's the fact that I have Noah now, whether it's the fact that I'm just older now, I didn't have much trouble with the sections that gave me trouble 11 years ago. On the contrary, there were several sections that could've been written about me. There is one in particular where the narrator is recounting a portion of his past where he taught Rhetoric at the University of Montana in Missoula. One semester he decides to conduct an experiment – to do away with grades for the whole semester. The students will receive a grade at the end of the course, and not before. The section that made the hair on the back of my neck stand up is toward the beginning of his recount of the experiment, when he's stating his hypothesis. I'll quote it, rather than summarize. Pardon the length.

Phaedrus' argument for the abolition of the degree and grading system produced a nonplussed or negative reaction in all but a few students at first, since it seemed, on first judgment, to destroy the whole University system. One student laid it wide open when she said with complete candor, “Of course you can't eliminate the degree and grading system. After all, that's what we're here for.”

She spoke the complete truth. The idea that the majority of students attend a university for an education independent of the degree and grades is a little hypocrisy everyone is happier not to expose. Occasionally some students do arrive for an education but rote and the mechanical nature of the institution soon converts them to a less idealistic attitude.

The demonstrator was an argument that elimination of grades and degrees would destroy this hypocrisy. Rather than deal with generalities it dealt with the specific career of an imaginary student who more or less typified what was found in the classroom, a student completely conditioned to work for a grade rather than the knowledge the grade was supposed to represent.

Such a student, the demonstrator hypothesized, would go to his first class, get his assignment and probably do it out of habit. He might go to his second and third as well. But eventually the novelty of the course would wear off and, because his academic life was not his only life, the pressure of other obligations or desires would create circumstances in where he just would not be able to get an assignment in.

Since there was no degree or grading system he would incur no penalty for this. Subsequent lectures which presumed he'd completed the assignment might be a little more difficult to understand, however, and this difficulty, in turn, might weaken his interest to a point where the next assignment, which he would find quite hard, would also be dropped. Again no penalty.

In time his weaker and weaker understanding of what the lectures were about would make it more and more difficult for him to pay attention in class. Eventually he would see that he wasn't learning much; and facing the continual pressure of outside obligations, he would stop studying, feel guilty about this and stop attending class. Again, no penalty would be attached.

But what had happened? The student, with no hard feelings on anybody's part, would have flunked himself out. Good! This is what should have happened. He wasn't there for a real education in the first place and he had no real business there at all. A large amount of money and effort had been saved and there would be no stigma of failure and ruin to haunt him the rest of his life. No bridges had been burned.

The student's biggest problem was a slave mentality which had been built into him by years of carrot-and-whip grading, a mule mentality which said, “If you won't whip me, I won't work.” He didn't get whipped. He didn't work. And the cart of civilization, which he supposedly was being trained to pull, was just going to have to creak along a little slower without him.

This is a tragedy, however, only if you presume that the cart of civilization, “the system,” is pulled by mules. This is a common, vocational, “location” point of view, but it's not the Church attitude. [not the church of the religious type, but I don't have time to explain all that here -jg].

The Church attitude is that civilization, or “the system” or “society” or whatever you want to call it, is best served not by mules but by free men. The purpose of abolishing grades and degrees is not to punish mules or get rid of them but to provide an environment in which that mule can turn into a free man.

The hypothetical student, still a mule, would drift around for a while. He would get another kind of education quite as valuable as the one he'd abandoned, in what used to be called the “school of hard knocks.” Instead of wasting money and time as a high-status mule, he would now have to get a job as a low-status mule, maybe as a mechanic. Actually his real status would go up. He would be making a contribution for a change. Maybe that's what he would do for the rest of his life. Maybe he'd found his level. But don't count on it.

In time – six months; five years, perhaps – a change could easily begin to take place. He would become less and less satisfied with a kind of dumb, day-to-day shop-work. His creative intelligence, stifled by too much theory and too many grades in college, would now become reawakened by the boredom of the shop. Thousands of hours of frustrating mechanical problems would have made him more interested in machine design. He would like to design machinery himself. He'd think he could do a better job. He would try modifying a few engines, meet with success, look for more success, but feel blocked because he didn't have the theoretical information. He would discover that when before he felt stupid because of his lack of interest in theoretical information, he'd now find a brand of theoretical information which he'd have a lot of respect for, namely, mechanical engineering.

So he would come back to our degreeless and gradeless school, but with a difference. He'd no longer be a grade-motivated person. He'd be a knowledge motivated person. He would need no external pushing to learn. His push would come from inside. He'd be a free man. He wouldn't need a lot of discipline to shape him up. In fact, if the instructors assigned him were slacking on the job he would be likely to shape them up by asking rude questions. He'd be there to learn something, would be paying to learn something and they'd better come up with it.

Motivation of this sort, once it catches hold, is a ferocious force, and in the gradeless, degreeless institution where our student would find himself, he wouldn't stop with rote engineering information. Physics and mathematics would come within his sphere of interest because he'd see he needed them. Metallurgy and electrical engineering would come up for attention. And, in the process of intellectual maturing that these abstract studies gave him, he would be likely to branch out into other theoretical areas that weren't directly related to machines but had become part of a larger goal. This larger goal wouldn't be the imitation of an education in Universities today, glossed over and concealed by grades and degrees that gave the appearance of something happening when, in fact, almost nothing is going on. It would be the real thing.

The hair on my neck is still standing up. I did poorly in school. Don't know why, but I just hated it. I and my parents were routinely told by teachers what potential I had that was going to waste. It was humiliating. My overarching, impressionistic memory of my academic career is that of a humiliated mule. As I mentioned in my very first blog post, I was kicked out of the band in 10th grade for not getting with the program. And now I've been a professional musician for the last 12 years, virtually since I left high school. I don't blame anyone for my stubborn refusal to do the rote bullshit work we were all assigned, but something was clearly not right. I was a kid, for crying out loud.

Anyway, the great thing about college was that it enabled me to shed a lot of the self-esteem issues that I graduated high-school with. It also more fully introduced me to a very deep and powerful talent that had always been there, waiting to be discovered and nutured. Music. Music has made me what I am. But at the same time, I can't help but feel that I've been a mechanic for the last seven years. That my real education, my real work, my real purpose begins now.

#life

Shouldn't it be a little more like this –>

You're a new user to the iBD CMS. The initial login screen is simple, clean. It has 3 fields that you need to fill in to register – Your name, your password, and your band's name. You press the submit button and that's it. Your new website is active. The second screen you come to asks for your Facebook login information. You enter it, and since your an admin of your bands Facebook page, you just directly imported all the data that is present on your Facebook page – that's a bio, your tour dates, band members, any contact info, links to videos and photos, pretty much everything a website needs is automatically populated with the press of a button.

That's cool! But wait, this bio is a little outdated. It still has the story about carving a path deep and wide. Let's change this a little bit. And once we're done, we press save and it's automatically sent to Facebook, since your admin account is already linked.

Are you starting to get the picture?

beginning middle

#the-idea

The ongoing sorrow in my life is this –>

You can build an awesome website, and then where are you?

The answer is that you're ahead of at least some of the craptastic pack. The rest of the answer is that you've just taken a major step into proving that you take yourself seriously on the internet. You have opened Pandora's box, my friend, and if you think you can shut it, the world will know just what a punk you are. After all, the days when your website was the totality of your internet presence have faded into our collective long-term memories by this point. I'm not gonna say “social networking is just as, if not more important” because that would be insulting your intelligence. Besides, you already know how much more time you spend on Facebook than the best band website out there.

So now I have to babysit this thing, too?

And this is where the drudgery begins, my friends. Take it from someone who valiantly attempted to up the ante on RRE's web presence –> the internet is a big place. There are plenty of musicians out there that are intensely adept at using one or more facets of their web presence to the fullest effect, but it takes practice. If you're on Twitter, would you do me a favor and follow the @stringdusters? I'm not sure who does the posting for them, but I think it's the one Anders calls “Panda”. He gets it. And he gets it more every day. It's been something to behold over the past few months, and it makes me envious somewhere in my heart that I'm not as good a Twitterer as they. But I also know that someone with a hammer that bangs Twitter nails probably isn't as sharp or as diligent about banging the Facebook nails, or the Tumblr nails, or hell, what's going on on their website?

Are you with me so far?

next

#the-idea

The problem I have with the world is this –>

It's too friggin hard to build a good website.

I spent the better part of 2009 studying this problem. I was bummed out about RRE's website and the fact that it was just a little too static, a little too disconnected from the rest of the internet. It was a custom built solution, and God bless you Berry for that, but I didn't even know what that meant at that time. It took me several months of poking, prodding, and pulling my hair out before I started to get the idea.

People have been here before.

There is a thing out there called a CMS. That stands for Content Management System, and what it does is take care of the nuts and bolts behind the scenes so that you can get on with posting cool stuff. That's what you do after all, right? Tour dates, news, pictures, it's all just stuff. People have been putting up stuff since the dawn of the internet, so it's not surprising that some enterprising types have tried to simplify the process. There's just one problem.

It's still too hard to build a friggin website.

I mean, let's be honest –> raise your hand if you know what DNS is, and why you should care. Yeah. Now, if you're not a musician, put your hand down. That's what I thought. And that's only one infinitely tiny little facet of a web site. Good luck with the rest. I'm a pretty driven person at this point in my life, and after banging my head on the internet wall for a year, the best I could come up with is this. I had to learn an inordinate amount of routine, sub-geek level internet crap that has nothing to do with putting up cool stuff before I could even get started. Can't someone please just take all of this responsibility away from us musicians?

next

#the-idea

Lots of personal posts to come these next few weeks, I expect. I wanted to take this opportunity during setbreak in Woodstock to set down a few things that I was thinking about during the first set.

I've gotten a few cautionary letters from concerned onlookers of my situation, most of them warning me of the pitfalls of this decision that I've made. First, I want to let you know that I've been making the internal preparations for this move for well over a year. It was about that long ago that the force inside me that's guided me very reliably through my first 31 years here on earth began to lead me to this public announcement of my decision.

Second, I want you to know that I've never ignored that force. That force told me to print up business cards the week before I met John Skehan for the first time. Third, I have no idea what I'd do without that force. I might have had some crappy job that I hated for the last seven years instead of touring the world with a fantastic band. Fourth, trading this interesting, creative job down for some cubicle job programming VB is not what I have in mind (no offense to VB). I have a very specific, interesting, creative idea that I've been working on that I'm gonna have a whack at, but it's a long shot. I have some other interesting, creative options on the table, and I feel hopeful that one of them will pan out. Fifth, and this is probably going to be the most difficult for some of you to believe, but the worst case scenario – unemployment, bankruptcy, foreclosure – still makes me feel more optimistic about the future than the prospect of ignoring that force.

That's all. Gotta finish a show.

#life

I have this crazy hope inside of me that some of the IT professionals who have expressed their disdain for the field since my last post will find a way to quit their crappy jobs and go do something that they can put their hearts into. Life is too short to be stuck.

Thank you.

Well, campers, the day has come. Regular readers of this blog might be a little less surprised about this particular piece of news, but I'm pretty surprised to be writing it. I've been writing it in my head for a few weeks now, but now that I'm sitting here, I don't really know how to put it.

I joined this band at the age of 24 to accomplish a few objectives. I was barely a year out of college and was already tired of washing dishes and rolling burritos for a living, so I prayed for a gig. I met John Skehan within a week, and the rest is history. What I wanted then was to get out of the kitchen and play professionally (with my college educated hands), to travel, and to learn about the music business. Check, check, and check. I never intended to be a touring musician for the rest of my life, and have proceeded to plan my life with my wife and our son and our dogs accordingly. We played Red Rocks a couple of months ago. Icing on the cake.

About a year and a half ago (as regular readers know), the flame of my creativity began lighting a different path than the one that I was on with RRE. I'd always been pretty good with computers. I only recently realized that the main reason that I like recording and production so much was mainly because it involves using and being good with computers. It took an iPhone to spark the idea that I should take matters into my own hands and start learning how to program myself. So, for the last 18 months, that's what I've been doing. I'm not quite to the point that I'm ready to make a living with it, but God has taken care of me and me family so far, so I have to place my trust in him now.

I had a medium-range plan that had me exiting RRE at the end of next year – 2010 – and dovetailing my present and future careers together the best I could in the meantime. Then a record deal came along. I'm a lawyer's son, so when it became apparent that this deal was probably going to actually happen, it kinda screwed up my plan. I couldn't sign a piece of paper committing myself to RRE and touring for the next 3 or 4 years when I knew good and well that I didn't have it in me. That's when I knew I had to tell my bandmates what was going on with me. Needless to say, they were probably a little surprised themselves. I gave them until the end of next May, but they've rightly decided that since a new record needs to be written, and we won't be on the road while that's happening, it's probably best to just go ahead and call it.

I'm not sure what the future holds, but I've got a few ideas. I know how much RRE means to many of you, and many of you probably think I've gone off my rocker reading this, but I have to ask you to trust me. RRE has meant a lot to me, too. I'm lucky to be able to say goodbye to a few of my favorite cities in America – Denver, San Francisco, and Portland – before hanging up my cables after the New Year. RRE is an unbelievably good band, and I have no doubt that they'll pick a worthy successor for me. At the very least they won't have to talk some kid into sleeping on hotel floors for weeks on end anymore.

To my bandmates I want to extend my deepest thanks for the opportunity to do exactly what I always dreamed of doing for the last 7 years, and to play the best music I'll probably ever play. To Mikey and J Ro and Phil and Stacy and Alex and especially Gayle I want to say thanks for working way harder than I ever did to make sure that RRE not only had people at the show but that they were lavished in the most inviting atmosphere possible, even at the Nick in Birmingham. To Brian I want to say thanks for talking me into such a ridiculous situation in the first place and for everything that you've done for RRE. And lastly to all the strangers who have become fans who have become friends, I will miss the hell out of y'all, but I won't be too hard to find either. I have an entire industry to try and save now, for the benefit of musicians and music lovers alike, and I'll need all the help and support I can get.

Thanks for the ride, and I'll leave you with a little Gillian Welch...

EDIT : I'm going to be checking in here frequently over the next several weeks as this process unfolds. I had a thought during last night's show that it'd probably be very helpful to me and informative for you if I use this blog as a tool to try and explain to you just what I'm so fired up about that I'd quit a fantastic band to go do it. Please stop back by. Later...

#life

A glimpse into design and corporate culture, and where the two often clash.

Dear American Airlines | Dustin Curtis

To Ruby on Rails proficiency, that is. I mean, I just happen to be in Madison WI at the moment, getting ready to play a show at the Barrymore Theater. I've spent the last two days holed up in a corner of the awesome Fair Trade Coffee House on State St. drinking their awesome dark roast and getting up to speed on some things.

After having written about version control last week, I figured it might be cool for me to actually make a choice and get up to speed on one. My only other freelance programming buddy out there uses Subversion, so of course I decided to go Git. Git has a great site that will store your code for you called GitHub – they kinda go hand in hand. It's a fun and relatively easy place to start getting familiar with the process of controlling your code. I've been working out of a Rails book and am pushing the practice project that I'm working on up to GitHub. The best thing about Git for me has been that it only took me about 2 days worth of hacking and poking around to get it running like it's supposed to be. This is in stark contrast to the week or so I spent trying to get Subversion happening before basically giving up. I understand the concepts behind Git's system of source control much better than I understand Subversion, as well. And GitHub is a (for now) free place to upload my stuff.

The reason this excites me so is that I've embarked on a learning project. I briefly exposed my intentions yesterday on this blog, so if you get this via RSS, you probably already have the idea. For those of you browsing the web version, the idea is basically a simple photo sharing site for wayward musicians. I got the idea from a great piece of dressing room graffiti in Cleveland at the Beachland Ballroom, and the domain just happened to be available although admittedly of questionable taste. Perfect for musicians, I think. So I've decided to try and build this thing as a Rails project. That should make it functional, but gritty and cheap looking, just like it should be. Anyway. Have fun out there...